Sacrae Symphoniae

In Symphoniae Sacrae by Giovanni Gabrieli, the Belgian brass ensemble Oltremontano and the Dutch Gesualdo Consort Amsterdam take us on a journey to the Venetian San Marco Basilica at the end of the 16th century. San Marco is quite possibly one of the most imaginative basilicas of Western Europe. Its Byzantine domes, golden mosaics and stately interior flooded with golden green light make it a silent witness of centuries of political and cultural history. During the 16th century, San Marco was at the heart of Venetian music culture.

As the personal chapel of the doge of Venice, the basilica was lucky to have an impressive musical ensemble employing excellent musicians. No expense was spared to uphold the rich tradition of the city. One composer whose name is perpetually linked to the basilica is Giovanni Gabrieli (c. 1555-1612). His Symphoniae Sacrae volumes from 1597 and 1615 make him one of the most important representatives of Venetian polyphony. The volumes contain choral motets in concertato style, allowing for various choirs and/or instrument groups to alternate in dialogue. That style was inspired by the architecture of San Marco specifically. The basilica has two opposing choir areas, allowing the composer to fully embrace the acoustic effects. The result is colourful, varied and monumental.

For this recording, Oltremontano is joined by two baroque violins and an organ. Gesualdo Consort Amsterdam supplies vocals.

Text: Katleen Van Bavel © Klara